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Post by PapaCharlie9 on Dec 12, 2016 3:59:51 GMT
Let's exegete the chant of light. Now that is a word I have never seen used before. In any context. And I've read a lot of Gene Wolfe! Well played.
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Post by PapaCharlie9 on Dec 12, 2016 4:04:14 GMT
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lilyonce
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Post by lilyonce on Dec 12, 2016 4:15:24 GMT
Thank you for the link. And exegete is just a fancy word for textual and contextual criticism of religious texts.
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Post by lilyonce on Dec 12, 2016 16:14:15 GMT
Added a few comments on the Old Gods, the Golden city, and a bit more on models of god to the OP.
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Post by lumix19 on Dec 12, 2016 20:03:50 GMT
I like this analysis, thanks for thus - it's certainly thought-provoking.
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Post by lilyonce on Dec 14, 2016 15:31:32 GMT
More quick notes--
A (mystical) process view of the maker unifies multiple phenomena so I propose it as my theory of Thedas. The da setting is fantasy so I think a mystical view fits.
It unifies: cole spirit divine justinia spirits at the temple of sacred ashes flemeth/mythal flemeth's daughters shapeshifting the well of sorrows OGB kieran andraste's experience of foreign memories magic time magic willpower the fade the void the forgotten ones the crossroads morrigan's experience of many worlds the golden city the taint lyrium reincarnation orlesian masks harmonizes andrastinanism and the qun w/ other cultures and phenomena too.
using the above metaphysic cole becoming humans makes sense. an individualized aspect of conscious identifying with one aspect of consciousness over another, even over what it used to be or is. so cole can become human because being human is just identifying with that aspect of consciousness over other aspects of consciousness like spirit or demon. this is also why cole knows things about people. his conscious isn't rooted in one concrete identity. It's more fluid.
spirit divine justinia in the fade. clearly not justinia as she was in the flesh but still her essence you might say. hesserarian writes of an everlasting soul but if so where is the soul of justinia? why didn't it appear instead of this "imposter"? so i don't think its correct to think of spirit divine justinia as an imposter but rather as the ideal form (in the philosophical sense) of justinia. consciousness picking up the mask of justinia again but not to the extent that Cole does where Cole walks around the physical world and even becomes the thing in the flesh same thing with spirits at temple of sacred ashes. (but what about the ritual?) rituals don't do anything. they have no power on their own. they just facilitate a focus. that's why the lameos became ash wraiths. shapeshifting magic is the same thing.
flemeth hosting mythal's soul makes sense. its not "ghost operating the machine" animism or demonic possession of mages rather its expanded consciousness. flemeth identifies as mythal/mythal identifies as flemeth because she understands herself, her persona as just that-- a mask in the ocean of consciousness that can be re-molded and shed at will. for this reason she can also shapeshift.
flemeth's body snatching makes sense. because its not really body snatching. like she teaches her daughters to shapeshift she teaches them to identify with more than the individualized aspect of consciousness they are. to identify with other aspects of conscious. that can bring on memories of a different life. knowledge. etc.
the well of sorrows for inquisitor and morrigan also fit. and why flemeth can control them. expanded consciousness. identify with what is not just you. works with OGB Kieran too.
andraste's past life memories. not really past life but memories that were not her own. identifying with consciousness other than the slice of it that she is.
magic is a willing into being/into substance/into conscious awareness what was not/what was an ideal form.
willpower-- how magic is done and where and by whom. causality, perception, memory, substance, time, space, concentration-- the stuff of consciousness-- & everything it takes for a mage to do magic. especially complex magic like time magic. so magic as conscious/energy enlarged to creativity if you prefer that image shaped and wielded by individualized aspects of conscious.
the fade as consciousness in flux/the maker & to borrow from plato, the form of the good. it's the world of forms and its the form of the good because thru it all else comes into being.
"the void" as unconsciousness. titus calls "gaps between dreams" void places in the fade. conscious requires an object of focus. unconscious is nothing as in "no thing". like dreamless sleep. being cast to the void or abyss means total non-existence. a big deals since generally in process thought the world and god are eternally in relationship-- world needs god. god needs world. so literally outside god and the world. (to mystics god is also unconsciousness. but god needs a world to become conscious and "complete". to be something more than an idea). But eventually we dream in sleep so no thing is ever unconscious forever. nothing and infinity are two sides of the same coin. so the forgotten ones (who supposedly were locked in the void) probably do speak to people in dreams.
the crossroads-- a dimension between worlds. put another way a place in conscious between realities. magic breaks down the veil so magical objects like eluvians are used to break down the veil between realities and can be used to travel between them. in process thought, god is all consciousness so many worlds are possible if not real. so morrigan's experience of a different world thru the eluvian makes sense.
the world purpose for the human etc is as embodied in the golden city. (the symbol may be different for a sea creature w/ a strong fade connection). joy, creation, beauty, art, justice, adventure. conscious has created this playground for itself and it wants the golden city. that's what it set out for when it made the world. that's why the black city visible in the fade wherever you go. the black city was black when the magisters got there and it was black because the world purpose has never been lived. there's always been sin.
the taint-- spiritual sickness. killing off corrupted versions of what the old gods symbolize. killing off a twisted humanity etc.
lyrium--world/forms link.
reincarnation-- "from these emerald waters doth life begin anew." at death you return to the maker/back to consciousness. conscious is always becoming, so you can be "reborn". existence is a choice.
on some level the orlesians in their culture probably understood themselves as expressions of a super conscious. the culture of mask wearing and playing the grand game can be viewed as metaphors for the one super conscious individualizing itself to partake in life. The persona is a mask and a mask hides one's real identity.
the qun-- the qun and andrastianism essentially say the same thing under this metaphysic. ex. loss of the self is the source of suffering. the chantry just says forgetting the maker is the cause of suffering. this interpretation of the qun is not definitive but looking at it from this perspective helps understand some passages that we have access to more fully IMO. And certainly the qun was not written as a political treatise or a psychology text. what the qunari have done with it is just what the qunari have done with it.
(about the world) "A great ashkaari during his travels came upon a village in the desert. There, he found the houses crumbling. The earth so dry and dead that the people tied themselves to each other for fear a strong wind would carry the ground out from under their feet. Nothing grew there except the bitter memory of gardens. The ashkaari stopped the first man he saw, and asked, "What happened here?" "Drought came. And the world changed from prosperity to ruin," the man told him. "Change it back." The ashkaari replied. The villager became angry then, believing the ashkaari mocked him, for no one could simply change the world on a whim. To which the ashkaari answered, "Then change yourself. You make your own world." (not trolling. think time magic.) And so I don't think the qun is actually against magic.
Existence is a choice. There is no chaos in the world, only complexity. Knowledge of the complex is wisdom. From wisdom of the world comes wisdom of the self. Mastery of the self is mastery of the world. Loss of the self is the source of suffering. Suffering is a choice, and we can refuse it. It is in our own power to create the world, or destroy it.
When the Ashkaari looked upon the destruction wrought by locusts, He saw at last the order in the world. A plague must cause suffering for as long as it endures, Earthquakes must shatter the land. They are bound by their being. Asit tal-eb. It is to be. For the world and the self are one. Existence is a choice. A self of suffering, brings only suffering to the world. It is a choice, and we can refuse it.
[...] The statue resists the ebb and flow of the sea. And is whittled away with each wave. It protests the setting sun, and its face is burned looking upon it. It does not know itself. Stubbornly, it resists wisdom and is transformed. If you love purpose, fall into the tide. Let it carry you. Do not fear the dark. The sun and the stars will return to guide you. You have seen the greatest kings build monuments for their glory Only to have them crumble and fade. How much greater is the world than their glory? The purpose of the world renews itself with each season. Each change only marks A part of the greater whole. The sea and the sky themselves: Nothing special. Only pieces.
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