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Post by vertigomez on Apr 1, 2018 4:42:40 GMT
Patrick Weekes Retweeted Kaylee Christine @kayleegobetween@patrickweekes at @havencon on how to write characters who are unlike yourself: - "Be a bridge"--write characters such that others can find themselves in your work - Let characters be diverse in ways that are incidental - Acknowledge that some stories are not yours to tell @patrickweekes on writing diverse characters: "After you've written a rough draft, give it to a sensitivity reader from that marginalized group. You are going to listen. No, REALLY: you are going to -listen-. They have to overcome a lot of fear to criticize--take it seriously." "Write something that you are willing to stand behind. Write something that you are willing to answer for. And always do better next time." -@patrickweekes I was thrilled when I read this on Twitter earlier. The core of this is to take the time to listen to the feedback of the people you're writing about, because they're going to see patterns you won't, unfortunate tropes, cringey things that you wouldn't think about because your life experiences lend themselves to a wholly different perspective. It's always a good idea to listen to marginalized groups when it comes to issues that are... you know... about them.
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Post by Nightscrawl on Apr 1, 2018 5:06:46 GMT
Iron Bull's romance certainly felt like reading a wikipedia page at times. Wasn't fun. Same with that transgender character actually. Both would've worked better if the writing had been more natural. It seemed forced and was immersion breaking. I wonder how they would have come out if they were directly written by people with those experiences. There can be a certain degree of Telephone-esque loss of details when the writer is listening to the domain expert instead of being the domain expert. I'll say first that I have never seen the Bull romance. That said, I think part of this is to do with the nature of the video game and player choice. In that situation, you want to make sure the player is informed before they commit. And from what I've read, in those sorts of relationship and play, there IS a lot of discussion and communication, so presenting that in the game isn't unrealistic. I was thrilled when I read this on Twitter earlier. The core of this is to take the time to listen to the feedback of the people you're writing about, because they're going to see patterns you won't, unfortunate tropes, cringey things that you wouldn't think about because your life experiences lend themselves to a wholly different perspective. It's always a good idea to listen to marginalized groups when it comes to issues that are... you know... about them. If David Gaider went with the views of certain people on another forum, Dorian would never have been written, and some of those basically think he's a bad self-hating gay because of it. Frankly, a lot of the reaction to him, by people who completely disregard and devalue the views of other gay players who actually like the character and his story, has me feel less confident in the idea of seeking out feedback. I don't know what the answer is, to be honest, other than to have a diverse diversity panel (lol), and that's less feasible because, frankly, it takes time and money to have that. I think the best solution is to have a more diverse staff, because they are able to look at all of the information available as the character is being developed and go from there, whereas some outside consultant can only rely on what is presented to them.
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Post by Hanako Ikezawa on Apr 1, 2018 5:09:19 GMT
Back in Nov. 2017 I went to the IGDA CH to watch an Interview with Mike Laidlaw and some other game developers. I had hoped the IGDA would upload their video in the meantime, but they haven't yet, so I decided to upload the video I took with my phone. As I didn't know if I could film everything, I only filmed Mike's part. Sorry for the quality. [HASH]DAT ETA: I have no idea why the preview image has those two guys with one in a green suit. That does not appear in the video at all. ETA2: Seems it fixed itself, carry on Is this the first time the devs have actually stated that Cole is asexual?
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Post by Nightscrawl on Apr 1, 2018 5:15:58 GMT
Is this the first time the devs have actually stated that Cole is asexual? At what time in the vid does he say that? I don't want to watch the whole thing...
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Post by thats1evildude on Apr 1, 2018 5:23:23 GMT
Spirit Cole was/is asexual. Human Cole isn’t, though.
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Post by river82 on Apr 1, 2018 5:26:33 GMT
I don't know what the answer is, to be honest, other than to have a diverse diversity panel (lol), and that's less feasible because, frankly, it takes time and money to have that. It's important to learn how to evaluate the feedback you get. Without this knowledge you're pretty much screwed and it doesn't matter how diverse the feedback panel is, you won't know what to do or who to believe. Good feedback is invaluable, rubbish feedback is rubbish, meh feedback can be useful, and it's up to you to figure it all out.
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Post by Hanako Ikezawa on Apr 1, 2018 5:30:53 GMT
Is this the first time the devs have actually stated that Cole is asexual? At what time in the vid does he say that? I don't want to watch the whole thing... 14:23. Mike Laidlaw also seems to be under the impression that Ace people don't want romances, so that's .
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Post by Andraste_Reborn on Apr 1, 2018 5:34:55 GMT
At what time in the vid does he say that? I don't want to watch the whole thing... 14:23. Mike Laidlaw also seems to be under the impression that Ace people don't want romances, so that's . A large number of people seem to be under the impression that all asexual people are also aromantic. (And also that all aromantic people are asexual, which is how I know.)
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Post by Hanako Ikezawa on Apr 1, 2018 5:38:43 GMT
14:23. Mike Laidlaw also seems to be under the impression that Ace people don't want romances, so that's . A large number of people seem to be under the impression that all assexual people are also aromantic. (And also that all aromantic people are assexual, which is how I know.) Yeah. At least some of the Bioware devs think differently though, for example Patrick Weekes on Twitter has talked about how they at least considered doing Ace and/or Demi romances, there just being conflicting opinions on what that kind of romance would look like.
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Post by Zemgus on Apr 1, 2018 5:47:32 GMT
Iron Bull's romance certainly felt like reading a wikipedia page at times. Wasn't fun. Same with that transgender character actually. Both would've worked better if the writing had been more natural. It seemed forced and was immersion breaking. I wonder how they would have come out if they were directly written by people with those experiences. There can be a certain degree of Telephone-esque loss of details when the writer is listening to the domain expert instead of being the domain expert. I'll say first that I have never seen the Bull romance. That said, I think part of this is to do with the nature of the video game and player choice. In that situation, you want to make sure the player is informed before they commit. And from what I've read, in those sorts of relationship and play, there IS a lot of discussion and communication, so presenting that in the game isn't unrealistic. That's just it. I don't think that games need to be all that realistic. That's my "issue" with the whole sensitivity reader thing. It makes it sounds like they're checking all these boxes to make sure they're not offending anyone or "misrepresenting." But that doesn't really make it good writing. If you worry about misrepresenting just don't call it BDSM. Wouldn't that solve all the problems? This is fiction and a fantasy game. It doesn't need to be all that realistic... in my opinion.
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Post by vertigomez on Apr 1, 2018 6:18:15 GMT
If David Gaider went with the views of certain people on another forum, Dorian would never have been written, and some of those basically think he's a bad self-hating gay because of it. Frankly, a lot of the reaction to him, by people who completely disregard and devalue the views of other gay players who actually like the character and his story, has me feel less confident in the idea of seeking out feedback. I don't know what the answer is, to be honest, other than to have a diverse diversity panel (lol), and that's less feasible because, frankly, it takes time and money to have that. I think the best solution is to have a more diverse staff, because they are able to look at all of the information available as the character is being developed and go from there, whereas some outside consultant can only rely on what is presented to them. Nobody said anything about automatically "going with the views" of anything. It's about being willing to listen. People disliking Dorian or his story because it strikes a negative chord with them is fine and totally valid. Their experience as gay men is going to color their perception in a way that a straight man or a straight woman or a lesbian will never fully comprehend, not because they're not empathetic but because life lends itself to different perspectives. Their feedback is useful. So is the feedback of gay men who really like Dorian as a character and appreciate his arc. David Gaider wrote an intensely personal story that meant a lot to him as a gay man and as a writer. He was his own sounding board in this case and that's mostly fine - he was the target audience, he was writing for that audience, he has his own life experiences to draw from. It's about knowing where you're coming from and a willingness to listen, that's all.
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Post by Nightscrawl on Apr 1, 2018 6:56:17 GMT
It's about knowing where you're coming from and a willingness to listen, that's all. But how do you decide what to filter? Nothing you said really counter's anything I said. The writers could be willing to listen to feedback and still want to write a story in whatever way because they have a certain theme, message, and presentation in their mind. Should they be criticized in that case? To my mind, the issue is that no group is a monolith, so they could get two separate feedbacks that are completely opposite in view. Let's take something I can actually speak on, the oft-used example of the discarded Leliana bit from DAI. All of the women in the writer's pit were uncomfortable with it. I, as a woman, didn't think it was that terrible as it was described. For reference, David Gaider talked about it in three different Tumblr posts: link 1, link 2, link 3. I wouldn't have had an issue with that scene being in the game, especially, as DG says, "There were going to be severe consequences for accepting." Is my opinion valid as well? If I were in the writer's pit that day and countered the other women, what would they have done? What should they have done? Except when people talk about this sort of thing they're usually only considering negative feedback in the discussion. I've seen it over and over again with different topics. It's not just Dorian. The people of whatever group who like whatever thing, or don't care either way, are shouted down. So I'll accept that the feedback of those people is valid when I actually see it being taken as such, even by people who dislike whatever thing. Everyone's feedback is valid, and everyone needs to accept that their own views are their own views, and not representative of the group to which they happen to belong.
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Post by Nightscrawl on Apr 1, 2018 7:07:24 GMT
14:23. Mike Laidlaw also seems to be under the impression that Ace people don't want romances, so that's . Thanks. I can't understand that word before "ace," -- "who is super ___ and ace."
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Post by Hanako Ikezawa on Apr 1, 2018 7:10:31 GMT
14:23. Mike Laidlaw also seems to be under the impression that Ace people don't want romances, so that's . Thanks. I can't understand that word before "ace," -- "who is super ___ and ace." Aro. It's shorthand for Aromantic, like Ace is for Asexual.
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Post by Nightscrawl on Apr 1, 2018 7:15:13 GMT
Thanks. I can't understand that word before "ace," -- "who is super ___ and ace." Aro. It's shorthand for Aromantic, like Ace is for Asexual. Hm... I dunno. It seems like he's forgotten about a big chunk of Cole's character development: taking the human path. Even leaving sex out of it, he does have clear romantic feelings for Maryden in Trespasser. I'm pretty sure there is banter about sex with him (concerning Maryden) from some followers, but I don't know what his response is. Also, I likely wouldn't have heard it as my party combo doesn't really lend to that sort of teasing. If you take the Cole spirit path, does that even count? He's not truly a person in that case, so can he have any sort of sexuality? I'm not going to say desire demons are pan, when the only reason they are is because they react to the person they're trying to influence (and feed off of). At this point, I'm going to say that we've never had a true ace in Dragon age. By that I mean one that is clear about being that way, and not just something players can headcanon due to lack of other information.
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Post by vertigomez on Apr 1, 2018 7:27:37 GMT
It's about knowing where you're coming from and a willingness to listen, that's all. But how do you decide what to filter? Nothing you said really counter's anything I said. The writers could be willing to listen to feedback and still want to write a story in whatever way because they have a certain theme, message, and presentation in their mind. Should they be criticized in that case? To my mind, the issue is that no group is a monolith, so they could get two separate feedbacks that are completely opposite in view. Let's take something I can actually speak on, the oft-used example of the discarded Leliana bit from DAI. All of the women in the writer's pit were uncomfortable with it. I, as a woman, didn't think it was that terrible as it was described. For reference, David Gaider talked about it in three different Tumblr posts: link 1, link 2, link 3. I wouldn't have had an issue with that scene being in the game, especially, as DG says, "There were going to be severe consequences for accepting." Is my opinion valid as well? If I were in the writer's pit that day and countered the other women, what would they have done? What should they have done? What's included is ultimately at the writer's discretion once they've received that input and processed it. What's important isn't that they do what one specific person says, but that they listened and took the time to consider the views of, in this instance, multiple women in the writer's pit going WTF at this sexual situation with not-Leliana. I feel hugely grossed out by demon-sex Leliana and I'm glad they reconsidered it. I don't feel like my opinion outweighs yours. I think a good writer is going to consider their audience, do a lot of research, and ask for input from people whose experiences mirror the character's. I am more likely to trust a story about sexual assault to maintain some kind of dignity if a sexual assault survivor is consulted during the writing process than if some rando threw it out there for grimdark drama. I hope that if/when we meet Mae, the writers will talk to trans women about their lived experiences and listen to their concerns. And then use their best judgment as writers and as people to bring that character to life. You're never going to make everyone happy, but you can come to people with an open heart and try your best.
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Post by Fredward on Apr 1, 2018 7:33:36 GMT
I think the idea of a sensitivity reader is flawed because it relies on the idea that every representation of a marginalized group has to be a positive example of that group. Sure, there can be negative examples. But a sensitivity reader could tell the writer if their villain is a villain in a boring way. Here’s an example. I’m Asian. I’d be interested to see more Asian folks in media, including as villains. Villains are fun! But I’d be sort of bored if the Asian villains were... ninjas. Because they’re always goddamn ninjas. It’s played out. I’m hyper-aware of that pattern because these are people that look like me. For somebody who’s not Asian, they might not pick up on repetitive portrayals like that, because they’re (justifiably) not paying as much attention when they come onscreen. So that’s why it’s important to talk to someone who’s part of the group being portrayed. Saves the writer from doing something boring. Just to add to this I was reading When the Moon is Low (spoilers) recently and there's a character that had previously been established as loathsome, he steals or blackmails or something his fellow refugees and then tells them if they do anything against him he'll tell his Taliban contacts back in Afghanistan to kill their families. But one of the MCs (whose a fifteen/sixteen year old boy) needs an impetus to leave (although he already has one) and needs to undergo Dark and Foreboding Events so the guy pulls double duty as the Evil Gay Child Molester, MC winds up stabbing him and running away. It adds nothing to the story and the same series of events could have been handled without making the bad guy a gay child molester but apparently blackmailing your fellow refugees by threatening to out their families to the Taliban is apparently not a clear enough way to communicate that someone is scum. I was already kinda lukewarm on the book so that just really pissed in my coffee. My 'official' stance on sensitivity readers is: use them to look for places where you might be tone deaf (like you're trying to include a strong character that has a serious physical disability but you give them an ability that largely obviates the consequences of that disability like Daredevil or the psychic guy in a wheelchair, at this stage disability is just a cute little character hook) or where you might be showing unnecessary and maybe unintended biases. But don't let sensitivity readers, or concerns relating to sensitivity readers, set hard limits for what you deal with. The Land Fit for Heroes is dark fantasy (and I'm talking pitch fucking black at parts) the MC is an antihero and really not a very nice man and he's gay. I feel like it would have been a MUCH greater disservice to the idea of representation, of equaling the playing field wrt which roles can be inhabited by which kinds of people, to make him a straight man rather than a gay man who does terrible things but is ultimately a character with nuance in a role where gay men usually aren't. And I feel like there's a 50/50 chance a sensitivity reader would've taken a look at some of his actions and said "Nope, can't have a gay guy doing that it's bad for representation," which is awful to me. Though I should qualify this by saying I really don't know how sensitivity reading shakes out in the real world. When Weekes said they decided not to make Solas bi because they didn't want to make a 'depraved bisexual' that is EXACTLY what I do not want. It's like concerns with how to do representation appropriately has reached an inflection point where you wind up rebounding back into circumscribing which roles non-straight characters are 'supposed' to occupy. Solas is an excellent character, complex and compelling and making him bi would have detracted not a whit from that. anywhoo /rant
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Post by river82 on Apr 1, 2018 8:06:25 GMT
I tried to "like" your post twice, but the tyrannical forum software threatened to stab me in vulnerable places. So once it is
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Post by QuizzyBunny on Apr 1, 2018 9:14:52 GMT
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Post by Nightscrawl on Apr 1, 2018 9:45:47 GMT
I like how people can go on about Highlander and nothing is said, but some posts about the actual game get a response suggesting "shut up, this is the Twitter thread."
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Post by river82 on Apr 1, 2018 9:48:45 GMT
I like how people can go on about Highlander and nothing is said, but some posts about the actual game get a response suggesting "shut up, this is the Twitter thread." It depends on whether people like what you're saying
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Post by witchcocktor on Apr 1, 2018 9:50:52 GMT
I love gay representation in all it's colors, but there's a way to do it right and a way to do it '' wrong. '' (I'm using gay men as an example for this)
A gay man can be a bad person, but if them being a bad person comes from the fact that they have sex with the same sex, and their homosexuality is put on the evil pedestal, then in the current world we live in, it can be seen as problematic. Rapists, child molestors, crazed gay sex maniacs who spread disease through non-consensual intercourse, yeah, that's not very good. But, even if such a character exists, they can kind of remedy the situation by also positively representing gay men in the same media, which balances out.
Gay men, who happen to love the same sex and have a male partner in crime, for example, can be terrible, evil people (but hopefully still complex characters) and there's nothing necessarily problematic about that. Of course, one would hope that there's some positive gay representation in the media, but as long as the characters are well written and as previously mentioned, complex and interesting, it should be okay.
But, alas, because of the current world we live in, where gay characters aren't that plentiful, I'd hope that most representation was overall positive, or at least a testament to gay characters are not just gay characters, but individuals with their own personality and motives, who just happen to be gay. That's the most important thing.
It never crossed my mind that Solas, for instance, would make bisexuals feel more deprived. His character is not his sexuality, but his other motives and personality traits. It's kind of looking down on your audience, really.
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Post by river82 on Apr 1, 2018 9:52:02 GMT
I like how people can go on about Highlander and nothing is said Highlander 3 was worth watching just for Loreena McKennit's "Bonny Portmore" song, btw.
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Post by witchcocktor on Apr 1, 2018 10:00:26 GMT
I was thrilled when I read this on Twitter earlier. The core of this is to take the time to listen to the feedback of the people you're writing about, because they're going to see patterns you won't, unfortunate tropes, cringey things that you wouldn't think about because your life experiences lend themselves to a wholly different perspective. It's always a good idea to listen to marginalized groups when it comes to issues that are... you know... about them. If David Gaider went with the views of certain people on another forum, Dorian would never have been written, and some of those basically think he's a bad self-hating gay because of it. Frankly, a lot of the reaction to him, by people who completely disregard and devalue the views of other gay players who actually like the character and his story, has me feel less confident in the idea of seeking out feedback. I don't know what the answer is, to be honest, other than to have a diverse diversity panel (lol), and that's less feasible because, frankly, it takes time and money to have that. I think the best solution is to have a more diverse staff, because they are able to look at all of the information available as the character is being developed and go from there, whereas some outside consultant can only rely on what is presented to them. You can just call me out specifically, lol. Dorian was already made, obviously he means the world to people, I'm happy that people are happy about what he brings to the table, and I'm happy if there are gay men who feel empowered by him. But I don't want the same formula to be repeated in DA4 in terms of gay representation, and I feel like my voice, as a gay man who didn't enjoy Dorian in the least, should be as valid as anyone else's, and I'm going to voice my opinion on the matter in the future as well.
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Post by Nightscrawl on Apr 1, 2018 10:04:08 GMT
When Weekes said they decided not to make Solas bi because they didn't want to make a 'depraved bisexual' that is EXACTLY what I do not want. I think this is part of the failing of relying on Twitter for their main connection to fans. This response was a tweet to a fan. I think he could have given a more nuanced response in a medium designed for that. I'm more inclined to think that there are a number of factors that all contributed to the decision for both Solas and Cullen. They were both late-stage romances; they were lacking resources; and perhaps their writers just think/thought of them as straight. Even if they had the inclination to make them bi out of fairness, all of those factors would combine to just have them be straight. Also, while Solas might still be "elves all the way down," the fact that Cullen is limited to human and elf even among women also points to a lack of resources. And to be honest, I think it's a weak response from Weekes when Iron Bull is in the game, being a hypersexual pansexual which is its own trope.
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