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Jéssica 🌈 🎮 🦇 @a_kind_of_magik In Dragon Age 2 all characters are romanceable regardless of our character gender. I find this so wonderful ❤️
Cody Archbold @codytropes While it’s nice that everyone gets to romance whomever they want. I like the realism that comes in when a girl like Traynor turns us down if for being men. It makes them feel more like fully fleshed out characters and less like romance bots.
Jéssica 🌈 🎮 🦇 @a_kind_of_magik I will never understand why people think that the sexuality in other realities has to copy our sexuality. ME takes place in the future. DA takes place in ANOTHER PLANET.
Patrick Weekes @patrickweekes This is a choice we have to make that will never make everyone happy. Either we lose people getting to romance everyone, or we lose representation of followers with set orientations, which makes the world feel more real and lets us tell stories like Dorian’s.
There is no way to have it both ways. In DAI, we chose to give followers a range of orientations, because it was worth the drawbacks to have followers who were explicitly gay, regardless of how you felt about it.
We might decide to change that up in future games. We might not. Whatever we decide, we are looking at what lets us give the most positive experience overall, with awareness of the costs. It will be, as it was in DAI, a choice we are willing to stand behind.
Exodus is too confusing for me as neither an English speaker nor a Christian. The plot does not feel very 'Exodus' to me. Does that mean Hawke lead the mages to leave the circle?
The word exodus comes from Greek and means 'mass departure of people.' It's also used to refer to the act of leaving or going away from a country done by a group of people because of war or forced migration. So a person or people are forced to [for whatever reason, be it malevolent (e.g. persecution), of their own doing, or completely out of their control (e.g. a natural disaster causes a loss of home and livelihood which then leads to hunger and poverty)] leave behind the country where they were living. Hence its use when talking about the Israeli fleeing after slavery from Egypt or when referring to times in our history when persecution forced the Jews flee from different countries.
In addition what Hrungr and SomberXIII already said, I remember reading the devs mentioning that the Exodus was suggested as a name also because all of our party members were originally "outsiders" to Kirkwall, be they plain refugees or fugitives: The Hawke family - fleeing the Blight, originally from Ferelden (apart from their Kirkwaller mother). Carver (and Hawke) also possibly army deserters? Aveline Vallen (neé du Lac) - her family fled from Orlais to Ferelden. Also a deserter? Varric Tethras - his family was exiled from Orzammar, though he himself was born in Kirkwall Merrill - banished from her Sabrae clan for practising blood magic, and her original birth clan was Alerion Isabela - a shipwrecked Rivaini trying to evade the Qunari "justice" Anders - originally from Anderfels and fleeing both the templars and the wardens Fenris - originally from Tevinter and trying to escape slavery Sebastian Vael - "the exiled prince" from Starkhaven
EDIT: So a certain "uprootedness" (= to tear away from a native place or environment) defines all of the people above.
Last Edit: Feb 14, 2020 11:59:36 GMT by sandwichtern
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Patrick Weekes @patrickweekes I feel like game writers in general could be more respectful of their lead writer when the lead suggests Grimfang as a side character's name.
Patrick Weekes @patrickweekes This is a choice we have to make that will never make everyone happy. Either we lose people getting to romance everyone, or we lose representation of followers with set orientations, which makes the world feel more real and lets us tell stories like Dorian’s.
Snip
Patrick, my man, you forget that Dragon Age is a fantasy world.
You bring a fantasy world to life by its rich stories and deep characters as Bio is want to say. Fantasy worlds have their own realities, cultures, history, people, fantasy races and so on. Picking a story like Dorian's from the "real world" is so proletariat and so cliché. It's better, imo, to concentrate on characters that live in that fantasy world and bring them to life.
Take the Qunari. Now those characters and culture is totally different from the humans'. That is what brings a fantasy world to life.... something different and yet familiar. You want real? Buy a romance novel from the NY best seller list.
Morpheus: "know what happened happened and that it could not have happened in any other way".
Patrick Weekes @patrickweekes I feel like game writers in general could be more respectful of their lead writer when the lead suggests Grimfang as a side character's name.
Karin Weekes @karinweekes 20 years of partnership and sacrifice have culminated in this glorious moment: The team Roll-The-Upright-Oreos-Across-The-Table/Catch-Them-Without-Using-Hands event at the @bioware Valentine's Day celebration. 💞 (Video credit: @ccorfe) @patrickweekes #powercouple
Patrick Weekes @patrickweekes You roll 'em up, I knock 'em down, Damsel. ❤️
Rob Donoghue @rdonoghue Twitter is a garbage fire populated by people I love beyond all reasonable measure. It is full of unexpected delights, but also a lot of re-used content.
What I’m essentially saying is that Twitter is Kirkwall.
Patrick Weekes @patrickweekes W o w
GipsyDangeresque @gipsdangeresque I mean, Varric *is* essentially a professional social media influencer.
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Exodus is too confusing for me as neither an English speaker nor a Christian. The plot does not feel very 'Exodus' to me. Does that mean Hawke lead the mages to leave the circle?
Well, Exodus at the base of it just means leaving one place for another. And Hawks leaving Ferelden for Kirkwall, coming to terms with and adapting to this new place, is basically the jumping off point for the whole plot.
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Patrick Weekes @patrickweekes This is a choice we have to make that will never make everyone happy. Either we lose people getting to romance everyone, or we lose representation of followers with set orientations, which makes the world feel more real and lets us tell stories like Dorian’s.
Snip
Patrick, my man, you forget that Dragon Age is a fantasy world.
You bring a fantasy world to life by its rich stories and deep characters as Bio is want to say. Fantasy worlds have their own realities, cultures, history, people, fantasy races and so on. Picking a story like Dorian's from the "real world" is so proletariat and so cliché. It's better, imo, to concentrate on characters that live in that fantasy world and bring them to life.
Take the Qunari. Now those characters and culture is totally different from the humans'. That is what brings a fantasy world to life.... something different and yet familiar. You want real? Buy a romance novel from the NY best seller list.
Patrick Weekes @patrickweekes This is a choice we have to make that will never make everyone happy. Either we lose people getting to romance everyone, or we lose representation of followers with set orientations, which makes the world feel more real and lets us tell stories like Dorian’s.
Snip
Patrick, my man, you forget that Dragon Age is a fantasy world.
You bring a fantasy world to life by its rich stories and deep characters as Bio is want to say. Fantasy worlds have their own realities, cultures, history, people, fantasy races and so on. Picking a story like Dorian's from the "real world" is so proletariat and so cliché. It's better, imo, to concentrate on characters that live in that fantasy world and bring them to life.
Take the Qunari. Now those characters and culture is totally different from the humans'. That is what brings a fantasy world to life.... something different and yet familiar. You want real? Buy a romance novel from the NY best seller list.
But many stories from fantasy are pulled from real word events.
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And Hawks leaving Ferelden for Kirkwall, coming to terms with and adapting to this new place, is basically the jumping off point for the whole plot.
Most of my Hawkes never "came to terms with" Kirkwall and would have left after Leandra's death in Act 2 if given the option.
One of things I would have liked to have in DA2 would be some control over what Hawke did in the time skips. If traveling, and perhaps happening to pass through Kirkwall at the start of the next act, was an option among others, that would have been good.
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I played some Dragon Age Awakening and got so pissed at the brood mother that I had to write about it. Men’s fear of women’s sexuality is mind boggling at times.
Ugh. Never dive deep into problematic enemies in your favorite games because man did I find issues with the broodmother and the banshee.
Okay. So the Banshee from ME3. Lets take a look at the origins for that. Banshees are made from Asari, a mono gendered race of aliens basically on the lookout for other species (we all know it’s a race aimed towards human men, okay?) to knock them up. Asari breeding with Asari ->
-> we know is a bit of a taboo. That’s established in the first game of you talk long enough with Liara. If an Asari does have children with another Asari this results in a pure blood. Pure bloods are sort of taboo because pure bloods can become Ardat-Yakshi. Ardat-Yakshi are ->
-> more or less Asari whose sexuality is unrestrained and it will kill you if you have sex with them. The only _acceptable_ Ardat-Yakshi are those who renounce sexuality and become celibate. Can you see where I’m going with this? Okay. And lo and behold, Ardat-Yakshi is what ->
-> the reapers use to create Banshees, thus turning the Madonna back into a murderous whore. I think I would have been less upset about this if there had been just ONE male enemy in ANY BioWare game (tips are welcome!) that used the same level of care and utter horror ->
-> to introduce them to the player, but the two enemies I’ve found that play on both sexuality, procreation and body horror in a BioWare game are both originally women (or coded as women). This only goes to show you should never start thinking too much about the games you love.
(I’m of course talking about the broodmother and the banshee with regards to the two enemies mentioned.)
Post by ellanathehamster on Feb 17, 2020 22:44:27 GMT
That's quite far-fetched. Turian reapers are just as ugly and frightening. We also have Architect, who is half rotten. I don't get "men's fear of women's sexuality". What's that even mean...
That's quite far-fetched. Turian reapers are just as ugly and frightening. We also have Architect, who is half rotten. I don't get "men's fear of women's sexuality". What's that even mean...
Was the body horror of Turian reapers or the Architect related to their sexual characteristics? It’s specifically that idea of “haha, you thought this type of body was sexy but now that sexuality has been TURNED AGAINST YOU!”
For the record, I maintain that the best way to solve this is by adding hot-but-also-gross monster bfs. No need to subtract anything, make everyone feel Uncomfortably Horny equally.
I'll never know (and I don't want to) why people think "sexuality" when they see brood mothers or banshees. I for one think "kill it before it kills me". If some monstrosity is trying to murder me, the fact whether it has boobies or not is rather irrevelant, because it does not affect in any way how dead I'll be if it succeeds.
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I'm not going to say it's sexuality, per say, but ME3 does have a good ol' taste of the favorites. Not much talk surrounds the horror of the Marauders, or the Brutes, or the Cannibals. There's a lot of talk about husks in the series but it's pretty dispassionate. I actually think that Liara reacts in a very natural way to the Banshee reveal, like any person would when they see what their people are being turned into. All the characters talking about the Banshees do, really. But when you compare that reaction to the reaction of Turians or Batarians (let's not even mention the Vorcha) being Reaper-fied, it's kind of clear the game wants you to reaaaally feel sorry for the Asari.
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