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Post by colfoley on Jul 13, 2018 2:58:26 GMT
So a bit of a writing conundrum for me:
One of my characters uses a bow in my second book. Now ostentiably I have been calling it a 'longbow' throughout the entire book, and I mean it, but I have found out that there is actually a difference between a 'Recurve' and a long bow. I thought a longbow was just a name for a bow that was a longer version while the Recurve was a fancy name for a short bow...turns out I was mistaken. (Also I should point out I have not even been doing this research for book related purposes but stumbled upon this factoid while I was doing something else.)
Now the issue is this character's bow, in looking into the differences of the two, would probably be more of a recurve anyways. But I have been calling it a 'longbow' virtually the entire book. So I suppose my options are to A. leave it. B. start adding the clarification and maybe go back and edit in references that it is a recurve. or C. go edit out all instances of lonbow and change it to recurve. I am tempted to do B. but I just do not know how much of a writing/Archery faux paux it would be using the two terms interchangeably.
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Post by B. Hieronymus Da on Jul 13, 2018 22:35:14 GMT
Longbow is the medieval descendant of the hunting bow which was perfected already in the stone age. These bows were made from a single staff of wood, typically Yew, the shape carefully scraped out (if you wittle or cut, the bow will break), paying attention to the grain. It differs in being longer and having a more triangular cross section (hunting bow being flatter). This to make it stiffer, so as to be straighter and start draw earlier than it otherwise would, being so tall.
Historically, there's long been a false perception and characterization of the longbow. So much that after newer archeological finds, it has been necessary to split the term into two: Longbow, which is the same as perceived previously, and 'Warbow', the real bow of the famous English archers.
The previous "longbow" has a 50 to 75 lbs draw, and was a hunting and sport weapon for people who were not archers, like nobility. That kind of pull is pretty on par with recurves and modern bows, so I suppose historians were originally hesitant to doubt there was something wrong with their perception.
The English longbow of the historical battles and accounts is however something else, the "Warbow", the term improvised as the distinction became necessary. The Warbow has a pull of 150 to 200 lbs, takes regular training since boyhood to shoot, and can really do all the things the historical accounts claim, shoot farther than 400 m, penetrate knights plate armor, solid oak doors, thighs, saddles & horses...
The longbow/warbow is mainly aimed and shot by muscle memory, fired as soon as it's drawn. A modern competition bow and recurve is drawn, held and aimed. How does muscle memory archery stand up to held & aimed? Pretty good actually:
The historical recurve is a composite bow, made from woods, bone, tendons. The purpose of the recurve shape is to control how much the string gives, travels backwards, as a function of how much the bow is drawn. The result is that the pull from the bow lessens at full draw, making it easier to hold the bow drawn, requiring less strength to hold the bow than to draw it.
Modern compound bows, like hunting bows, achieve the same effect, but even much more so, by a pulleys system, with eccentric and non-circular cams.
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Post by B. Hieronymus Da on Jul 13, 2018 23:27:55 GMT
So a bit of a writing conundrum for me: One of my characters uses a bow in my second book. Now ostentiably I have been calling it a 'longbow' throughout the entire book, and I mean it, but I have found out that there is actually a difference between a 'Recurve' and a long bow. I thought a longbow was just a name for a bow that was a longer version while the Recurve was a fancy name for a short bow...turns out I was mistaken. (Also I should point out I have not even been doing this research for book related purposes but stumbled upon this factoid while I was doing something else.) Now the issue is this character's bow, in looking into the differences of the two, would probably be more of a recurve anyways. But I have been calling it a 'longbow' virtually the entire book. So I suppose my options are to A. leave it. B. start adding the clarification and maybe go back and edit in references that it is a recurve. or C. go edit out all instances of lonbow and change it to recurve. I am tempted to do B. but I just do not know how much of a writing/Archery faux paux it would be using the two terms interchangeably. So, as to your question. No the two terms are not interchangeable. Two differently constructed bows, two different shooting techniques. Rewriting? Alternative C? I don't see any problems with that. But that could be because I constantly rewrite my own stories. "Find & Replace" is your friend.
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Post by colfoley on Jul 14, 2018 3:41:52 GMT
So a bit of a writing conundrum for me: One of my characters uses a bow in my second book. Now ostentiably I have been calling it a 'longbow' throughout the entire book, and I mean it, but I have found out that there is actually a difference between a 'Recurve' and a long bow. I thought a longbow was just a name for a bow that was a longer version while the Recurve was a fancy name for a short bow...turns out I was mistaken. (Also I should point out I have not even been doing this research for book related purposes but stumbled upon this factoid while I was doing something else.) Now the issue is this character's bow, in looking into the differences of the two, would probably be more of a recurve anyways. But I have been calling it a 'longbow' virtually the entire book. So I suppose my options are to A. leave it. B. start adding the clarification and maybe go back and edit in references that it is a recurve. or C. go edit out all instances of lonbow and change it to recurve. I am tempted to do B. but I just do not know how much of a writing/Archery faux paux it would be using the two terms interchangeably. So, as to your question. No the two terms are not interchangeable. Two differently constructed bows, two different shooting techniques. Rewriting? Alternative C? I don't see any problems with that. But that could be because I constantly rewrite my own stories. "Find & Replace" is your friend. Thank you for the wonderfully insightful post on the matter I appreciate. I think I was going to change my mind and probably work on editing the relevant parts of my novel for tommorow because it occured to me that I am going to have another prominent Archer character later on and I thought it might be fun to give them entirely different weapons, well they'll both be bows but my thought process is since there are different type of bows the bows they use can speak to differences in their character or give them differences in what they use their particular weapons for. So, for my book 2 character she'll be getting the recurve. Now that I have your attention been wondering something else to. I know that a 'Warbow' was capable of penetrating plate armor at fairly long ranges (don't remember the exact distance mentioned sadly) but with their draw weight being so high that would make sense. Just wondering if lower draw weight bows can penetrate plate at significantly shorter distances or if a bow just needs to be that powerfull. I'd imagine its the former but I haven't found a source out there that would seem to confirm the theory.
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Post by B. Hieronymus Da on Jul 14, 2018 19:31:12 GMT
So, as to your question. No the two terms are not interchangeable. Two differently constructed bows, two different shooting techniques. Rewriting? Alternative C? I don't see any problems with that. But that could be because I constantly rewrite my own stories. "Find & Replace" is your friend. Thank you for the wonderfully insightful post on the matter I appreciate. I think I was going to change my mind and probably work on editing the relevant parts of my novel for tommorow because it occured to me that I am going to have another prominent Archer character later on and I thought it might be fun to give them entirely different weapons, well they'll both be bows but my thought process is since there are different type of bows the bows they use can speak to differences in their character or give them differences in what they use their particular weapons for. So, for my book 2 character she'll be getting the recurve. Now that I have your attention been wondering something else to. I know that a 'Warbow' was capable of penetrating plate armor at fairly long ranges (don't remember the exact distance mentioned sadly) but with their draw weight being so high that would make sense. Just wondering if lower draw weight bows can penetrate plate at significantly shorter distances or if a bow just needs to be that powerfull. I'd imagine its the former but I haven't found a source out there that would seem to confirm the theory. As always: Weapon vs Armor depends on both the weapon and armor. Armor evolved through the centuries but also often had a long life. It was expensive, so was changed to fit later owners etc. Old bad armor was better than no armor, but at a disadvantage when facing a more modern sword or an invading english archer. In the last decades a lot of understanding about the longbow/"warbow" has been gained, thanks to all the Warbow societies. But I have not really been part of that journey. Me and my cousin used to make bows, but that ended and was a long time ago. So my main view of this comes from one old test which a couple of british museum custodians did a video of a long time ago - I guess it must have been in the 1980s - and some very serious testing done by the Royal British Army ballistic research department. In the case of the museum guys, they used a very wimpy longbow, like 50 lbs (this was before Mary Rose), and the guy who was shooting didn't even appear to be able to draw it fully. As I remember it, they tested three different arrowheads. The broadhead, the bodkin and a longer, slim, heavy and hard arrowhead they hypothesized was made for piercing armor. So was the bodkin, of course, but this was heavier and harder. They shot at quite close distance (close to point blank) and with a very shaky pull. The long arrowhead easily penetrated armor (plate + mail I think?) which the bodkin couldn't fully pierce. The british army tests also used a somewhat wimpy bow. I don't remember exactly, but I think it may have been like 100 to 120 lbs? At this time - despite the Mary Rose finds - the discourse was still dominated by historians who had written - contrarian to historical accounts - literally entire libraries of how the Brits "really" won the battles at Crecy and Agincourt etc., how it wasn't really the bow because "50 lbs" longbows couldn't penetrate armor, - no, the french horses were stuck in the mud, bla, bla etc. So these people frantically worked overtime behind the stages to bring down the estimates of the bows' drawing strength. So that is probably why those tests used such a wimpy bow. Anyway, I think they only tested bodkins, but the bow fully penetrated a heavy 1500s breastplate (made from modern steel) at 20 meters, with a bodkin. Notable is that that breastplate was considerably stronger and heavier than earlier knights' plate armor of earlier ages. Anyway, the main conclusion was that it was mainly at close range that the bow defeated armor in a fatal manner. And all that is from my memory, thus probably flawed. You might find better if you google it and find the real sources. What would be interesting is what a heavier arrow with the long arrowhead would do to typical armor at longer ranges, from a real "warbow". That is something I would imagine the modern Warbow societies experiment with. But I have no info on that. What I have perceived as the main understandings gained recently, is: You don't really aim. You look at the target and trust the muscle memory. You release as soon as the bow is fully drawn. The arrow goes on the right side of the bow, not the left. <iframe width="23.62000000000012" height="8.28000000000003" style="position: absolute; width: 23.62000000000012px; height: 8.28000000000003px; z-index: -9999; border-style: none;left: 15px; top: -5px;" id="MoatPxIOPT0_73514219" scrolling="no"></iframe> <iframe width="23.62000000000012" height="8.28000000000003" style="position: absolute; width: 23.62px; height: 8.28px; z-index: -9999; border-style: none; left: 1121px; top: -5px;" id="MoatPxIOPT0_73621322" scrolling="no"></iframe> <iframe width="23.62000000000012" height="8.28000000000003" style="position: absolute; width: 23.62px; height: 8.28px; z-index: -9999; border-style: none; left: 15px; top: 350px;" id="MoatPxIOPT0_33454825" scrolling="no"></iframe> <iframe width="23.62000000000012" height="8.28000000000003" style="position: absolute; width: 23.62px; height: 8.28px; z-index: -9999; border-style: none; left: 1121px; top: 350px;" id="MoatPxIOPT0_9961026" scrolling="no"></iframe>
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Post by Deleted on Jul 21, 2018 2:24:11 GMT
writing GOT with aspergers is so hard. I can hardly get character interaction right, much less a storyline despite attempting it. Meh, but I hate writing stories with people with aspergers because i write to escape from that.
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Post by Deleted on Jul 21, 2018 2:49:26 GMT
writing GOT with aspergers is so hard. I can hardly get character interaction right, much less a storyline despite attempting it. Meh, but I hate writing stories with people with aspergers because i write to escape from that. And I thought I had problems getting my ideas out of my head and onto the page.... I think you sell yourself a little short as from what I've read of your GoT fic you've done well and if you hadn't said anything I certainly wouldn't have known any different. Hang in there, baby steps.
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Post by Deleted on Jul 21, 2018 2:54:51 GMT
writing GOT with aspergers is so hard. I can hardly get character interaction right, much less a storyline despite attempting it. Meh, but I hate writing stories with people with aspergers because i write to escape from that. And I thought I had problems getting my ideas out of my head and onto the page.... I think you sell yourself a little short as from what I've read of your GoT fic you've done well and if you hadn't said anything I certainly wouldn't have known any different. Hang in there, baby steps. Someone just decided to totally misunderstand what I was saying on a review. I mean when i was writing orys i was pretty much much lost. I mean, i didn't intend for him to be a garry stue by saying dany was interested in him. it's not like he was interested in her back (and giving Aegon a POV would've been a huge waste of time as it stands). i think i made him a garry stue on pure accident without thinking it through (its not like he was very interesting to begin with tho, not to me at least).
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Post by Deleted on Jul 21, 2018 3:00:49 GMT
And I thought I had problems getting my ideas out of my head and onto the page.... I think you sell yourself a little short as from what I've read of your GoT fic you've done well and if you hadn't said anything I certainly wouldn't have known any different. Hang in there, baby steps. Someone just decided to totally misunderstand what I was saying on a review. I mean when i was writing orys i was pretty much much lost. I mean, i didn't intend for him to be a garry stue by saying dany was interested in him. it's not like he was interested in her back (and giving Aegon a POV would've been a huge waste of time as it stands). i think i made him a garry stue on pure accident without thinking it through (its not like he was very interesting to begin with tho, not to me at least). Ah I've had some reviews like that with my Star Wars fic as my OC main isn't what most people think a Sith should be, which is the whole point. So I tend to simply ignore them. I must be doing something right due to the amount of favs, follows and positive reviews it has.
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Post by Deleted on Jul 21, 2018 3:05:52 GMT
Someone just decided to totally misunderstand what I was saying on a review. I mean when i was writing orys i was pretty much much lost. I mean, i didn't intend for him to be a garry stue by saying dany was interested in him. it's not like he was interested in her back (and giving Aegon a POV would've been a huge waste of time as it stands). i think i made him a garry stue on pure accident without thinking it through (its not like he was very interesting to begin with tho, not to me at least). Ah I've had some reviews like that with my Star Wars fic as my OC main isn't what most people think a Sith should be, which is the whole point. So I tend to simply ignore them. I must be doing something right due to the amount of favs, follows and positive reviews it has. they said it was disbursing for a married fifteen year old girl (dany) to have a crush on a single 14 year old boy of all things. ye i think if Orys went anywhere Dany Aegon would murder his arse so fast and so quickly, that they'd be nothing left of him.
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Post by Deleted on Jul 21, 2018 3:19:01 GMT
Ah I've had some reviews like that with my Star Wars fic as my OC main isn't what most people think a Sith should be, which is the whole point. So I tend to simply ignore them. I must be doing something right due to the amount of favs, follows and positive reviews it has. they said it was disbursing for a married fifteen year old girl (dany) to have a crush on a single 14 year old boy of all things. ye i think if Orys went anywhere Dany Aegon would murder his arse so fast and so quickly, that they'd be nothing left of him. Not being too familiar with GoT but having someone who's married having a crush on someone who isn't, isn't that hard to believe and age has nothing to do with it. And I can speak from experience as many moons ago I had a huge crush on a friend of mine who had a boyfriend and she was also a good five years older than me. So I'm not sure what rock your reviewer has been living under...
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Post by colfoley on Jul 21, 2018 3:46:06 GMT
THey also must be a fan of just the series given that 14 is about what their respective ages are in the actual books. They are pretty much young to mid teens. Hell I think it was mentioned that Jon Snow was 17 during the battle of Castle Black in the books...
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Post by B. Hieronymus Da on Jul 28, 2018 23:48:54 GMT
And I thought I had problems getting my ideas out of my head and onto the page.... I think you sell yourself a little short as from what I've read of your GoT fic you've done well and if you hadn't said anything I certainly wouldn't have known any different. Hang in there, baby steps. Someone just decided to totally misunderstand what I was saying on a review. I mean when i was writing orys i was pretty much much lost. I mean, i didn't intend for him to be a garry stue by saying dany was interested in him. it's not like he was interested in her back (and giving Aegon a POV would've been a huge waste of time as it stands). i think i made him a garry stue on pure accident without thinking it through (its not like he was very interesting to begin with tho, not to me at least). Personally, I've since long concluded that the solution to writing problems is what I posted in the start of this thread: Write more. Keep writing, self-edit and re-write. Gradually one becomes better at it with practice. Not entirely surprising because that seems to be the case with most things. Brandon Sanderson was told early in his career by someone that the handful of first books by all authors tend to be crap. The first published book is typically not a writer's first attempt. His reaction was: "Wow! Cool, I don't have to be good at this!" My early writing efforts all got burned or torn to pieces for flushing down the toilet. My main surprise is that one can write such garbage , while also being able to recognize that it is garbage. That is a bit of a paradox. ...even considering the single malt Isley... What I regret now, much later, is that I kinda gave up for awhile. What I tend to do now, is rewriting and rewriting. It helps. At some point one probably starts to be too self critical and insecure. That's why it also helps to read popular novels on the side. When one starts to feel that highly popular books are more cringe worthy than your own stuff, you are at least managing to do some things right enough. Only remains a trickier question: Do you write a story that people are interested in reading? If you manage to figure out a solution to that one, please tell me.
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Post by Deleted on Oct 22, 2018 3:29:13 GMT
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Post by officerdonnz on Apr 13, 2019 0:36:58 GMT
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Post by LadyofNemesis on Apr 13, 2019 9:28:59 GMT
I've been a hobbyist writer since I was able to write, making short stories and fan fictions since I was ten years old my first fan fiction (wasn't even aware at the time that's what it was called) was for the animated show Digimon, blatantly stealing from the show itself and very heavy with self inserts I've also frequently co-written (or at least made attempts to them) stories with a former classmate of mine (though that was years ago) several years ago I finished my first original story, which I've posted on DeviantArt linkI was going to make it a trilogy, but as you can see I stopped writing the second part after 2 chapters
-- For me my main problem with writing, is that I have to much ideas and don't know how to write them down I've got an entire folder on my pc with just concepts for stories that'll sadly never get written
I also think part of me is worried that when I write something, I wonder if it's original enough and if it does sound original, is it because I thought of it myself or because I've subconsciously already read it somewhere else?
so yeah, I'd love to write more...but it's the writing itself part that gets me down
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Post by Beerfish on Apr 13, 2019 14:46:52 GMT
So a bit of a writing conundrum for me: One of my characters uses a bow in my second book. Now ostentiably I have been calling it a 'longbow' throughout the entire book, and I mean it, but I have found out that there is actually a difference between a 'Recurve' and a long bow. I thought a longbow was just a name for a bow that was a longer version while the Recurve was a fancy name for a short bow...turns out I was mistaken. (Also I should point out I have not even been doing this research for book related purposes but stumbled upon this factoid while I was doing something else.) Now the issue is this character's bow, in looking into the differences of the two, would probably be more of a recurve anyways. But I have been calling it a 'longbow' virtually the entire book. So I suppose my options are to A. leave it. B. start adding the clarification and maybe go back and edit in references that it is a recurve. or C. go edit out all instances of lonbow and change it to recurve. I am tempted to do B. but I just do not know how much of a writing/Archery faux paux it would be using the two terms interchangeably. Have a humorous or serious encounter between the character and and arms master in which the arms master clues the character in that what he has been calling a long bow all along is really a recurve bowl.
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Post by B. Hieronymus Da on Sept 21, 2019 23:26:11 GMT
Okay, some days ago I had this idea that I thought could be fun. It's a sort of writing game, or writing exercise, that we could do. It came to me through some discussion about real life mysteries: Mysterious events and details (usually with people disappearing) that seem hard or impossible to explain satisfactorily. Some of them suddenly getting an explanation decades later through some accidental find. Others remaining mysteries, probably forever.
So this is the game: Invent some fictional mystery that has no explanation. If you want to, you can also provide an explanation. But you don't have to, so the mystery can be as impossible as you can imagine.
Alternatively, you can supply a possible explanation for some mystery someone else has posted, but this is not a quiz or competition. Also, for formalities, you need to understand that any ideas or explanations are in public domain if we post them here. This doesn't really bother me, as I think the book writing is the real work.
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Post by B. Hieronymus Da on Sept 22, 2019 9:34:01 GMT
Okay, some days ago I had this idea that I thought could be fun. It's a sort of writing game, or writing exercise, that we could do. It came to me through some discussion about real life mysteries: Mysterious events and details (usually with people disappearing) that seem hard or impossible to explain satisfactorily. Some of them suddenly getting an explanation decades later through some accidental find. Others remaining mysteries, probably forever. So this is the game: Invent some fictional mystery that has no explanation. If you want to, you can also provide an explanation. But you don't have to, so the mystery can be as impossible as you can imagine. Alternatively, you can supply a possible explanation for some mystery someone else has posted, but this is not a quiz or competition. Also, for formalities, you need to understand that any ideas or explanations are in public domain if we post them here. This doesn't really bother me, as I think the book writing is the real work. Actually, this may be a bad idea. It could have been fun, but: Ignore.
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Post by B. Hieronymus Da on Jul 30, 2020 0:45:23 GMT
I had this idea I'm thinking of putting into one of my novels. FBI need to decrypt the content of a dead terrorists phone. The manufacturer of the phone refuses to help. NSA doesn't return calls. Now, actually cracking encryption these days is normally pretty impossible, or supposed to be. But here's the deal. That phone is also sold in China. So some FBI people with contacts in China, Chinese police, comes up with the bright idea to reach out to them and ask for help. Because in my fictitious novel, China would not allow the sales of the phone in China, without having a backdoor into the phones. And the Chinese police then help them out, because mutual anti-terrorist cooperation etc. Is it a cool idea? Or will there be a backlash come knocking on my door?
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inherit
265
0
Nov 15, 2024 18:18:41 GMT
12,048
Pounce de León
Praise the Justicat!
7,945
August 2016
catastrophy
caustic_agent
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Post by Pounce de León on Jul 31, 2020 10:52:21 GMT
I had this idea I'm thinking of putting into one of my novels. FBI need to decrypt the content of a dead terrorists phone. The manufacturer of the phone refuses to help. NSA doesn't return calls. Now, actually cracking encryption these days is normally pretty impossible, or supposed to be. But here's the deal. That phone is also sold in China. So some FBI people with contacts in China, Chinese police, comes up with the bright idea to reach out to them and ask for help. Because in my fictitious novel, China would not allow the sales of the phone in China, without having a backdoor into the phones. And the Chinese police then help them out, because mutual anti-terrorist cooperation etc. Is it a cool idea? Or will there be a backlash come knocking on my door? "NSA doesn't return calls." appears a weak explanation. Just like with other national agencies, domestic agencies surely have a sort of liasion office to handle such requests and it'd be rather easier to do that than bridge the language barrier, find the right telephone number and not get arrested for unauthorised exchange of data with foreign powers.
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inherit
802
0
5,615
B. Hieronymus Da
Unapologetic Western Chauvinist. Barefoot. Great Toenails
3,791
August 2016
bevesthda
Mass Effect Trilogy, Dragon Age: Origins, Dragon Age 2, Dragon Age Inquisition, KOTOR, Baldur's Gate, Neverwinter Nights
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Post by B. Hieronymus Da on Jul 31, 2020 17:07:26 GMT
I had this idea I'm thinking of putting into one of my novels. FBI need to decrypt the content of a dead terrorists phone. The manufacturer of the phone refuses to help. NSA doesn't return calls. Now, actually cracking encryption these days is normally pretty impossible, or supposed to be. But here's the deal. That phone is also sold in China. So some FBI people with contacts in China, Chinese police, comes up with the bright idea to reach out to them and ask for help. Because in my fictitious novel, China would not allow the sales of the phone in China, without having a backdoor into the phones. And the Chinese police then help them out, because mutual anti-terrorist cooperation etc. Is it a cool idea? Or will there be a backlash come knocking on my door? "NSA doesn't return calls." appears a weak explanation. Just like with other national agencies, domestic agencies surely have a sort of liasion office to handle such requests and it'd be rather easier to do that than bridge the language barrier, find the right telephone number and not get arrested for unauthorised exchange of data with foreign powers. Mmm... I'm thinking like this: NSA keeps their cards close. They don't want people to know what they can do or even what they can't do. So I'm thinking they won't respond. It's not important enough. I also think there are some police channels and anti-terrorist channels to most countries. And before this Huwei, Covid19 and Hong Kong businesses, I don't think China would even be particularly controversial.
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inherit
265
0
Nov 15, 2024 18:18:41 GMT
12,048
Pounce de León
Praise the Justicat!
7,945
August 2016
catastrophy
caustic_agent
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Post by Pounce de León on Aug 3, 2020 7:36:31 GMT
"NSA doesn't return calls." appears a weak explanation. Just like with other national agencies, domestic agencies surely have a sort of liasion office to handle such requests and it'd be rather easier to do that than bridge the language barrier, find the right telephone number and not get arrested for unauthorised exchange of data with foreign powers. Mmm... I'm thinking like this: NSA keeps their cards close. They don't want people to know what they can do or even what they can't do. So I'm thinking they won't respond. It's not important enough. I also think there are some police channels and anti-terrorist channels to most countries. And before this Huwei, Covid19 and Hong Kong businesses, I don't think China would even be particularly controversial. It's not about controversial - it's just not very believable.
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inherit
802
0
5,615
B. Hieronymus Da
Unapologetic Western Chauvinist. Barefoot. Great Toenails
3,791
August 2016
bevesthda
Mass Effect Trilogy, Dragon Age: Origins, Dragon Age 2, Dragon Age Inquisition, KOTOR, Baldur's Gate, Neverwinter Nights
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Post by B. Hieronymus Da on Aug 4, 2020 0:50:43 GMT
Mmm... I'm thinking like this: NSA keeps their cards close. They don't want people to know what they can do or even what they can't do. So I'm thinking they won't respond. It's not important enough. I also think there are some police channels and anti-terrorist channels to most countries. And before this Huwei, Covid19 and Hong Kong businesses, I don't think China would even be particularly controversial. It's not about controversial - it's just not very believable. Thank you for your feedback. The way I see it, I have a few options: 1 - It's not believable, so what? What fiction is, lately? 2 - I'll work to make it believable. 3 - Nevermind, some will find it believable. 4 - I have projects that interest me more than this. Terrorist thrillers comes thirteen a dozen.
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inherit
265
0
Nov 15, 2024 18:18:41 GMT
12,048
Pounce de León
Praise the Justicat!
7,945
August 2016
catastrophy
caustic_agent
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Post by Pounce de León on Aug 5, 2020 14:31:41 GMT
It's not about controversial - it's just not very believable. Thank you for your feedback. The way I see it, I have a few options: 1 - It's not believable, so what? What fiction is, lately? 2 - I'll work to make it believable. 3 - Nevermind, some will find it believable. 4 - I have projects that interest me more than this. Terrorist thrillers comes thirteen a dozen. It's probably not hard to make it more believable: NSA can't crack it and dont want to tell the chinese. So protag goes to Hong Kong / Taiwan / Singapore and tries undercover semi-legal but the Chinese have different concept of illegal and you can have even all the action, too.
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