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Post by Deleted on Jul 22, 2021 17:36:42 GMT
There is only one boring poster in this thread. That said, please continue all. This thread makes my schizoid moments seem quite tame
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Sundance31us
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Mostly Harmless
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Post by Sundance31us on Jul 22, 2021 18:39:45 GMT
There is only one boring poster in this thread. <not sure if I'm the boring one>
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Post by gothpunkboy89 on Jul 22, 2021 18:42:15 GMT
Your constant attempts to talk past my point are fairly obvious and getting a little boring. Society exists very similar to the real world. Cause and effect of actions are similar to the real world. The Krogan rebellion wasn't stopped because they developed mutual understanding. It was because they released a sterility plague on the race that severely dropped their leaving them unable to continue fighting. Combine that with the massive blow their central government got from losing the war caused their society to fracture and break down.
That is very realistic after effects of two major blows to the Krogan. You can argue that hundreds of years passing and nothing changing being stupid but that is a result of the video game aspect.
The space orcs being stopped by a sterility plague happened because that's how Bioware wrote it. If the space elves, space gnomes, and space dwarves were to stop them some other way, they would have written it as such. That's how writing works. BioWare could have also wrote it so the Krogan turned into the Klingon equivalent. But the effects of introducing advanced technology to a race that not long before that bombed themselves back into the stone age and only barely had a central government suddenly fracturing under the strain of the genophage and all of their aggression now being directed inwards because they were beaten stripped of weapons and left to rot on their home planet is a very realistic and grounded interpretation of events.
Far more so then say the results of all of this happening suddenly turning the violent prone Krogan into humble honor bound warriors who rebuild everything and are suffering for no reason under the yoke of racists views from hundreds of years ago.
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Post by shotgunjulia on Jul 23, 2021 2:35:29 GMT
I think it started with Spec Ops: The Line. And Game of Thrones. Well, Cpec Opc is interesting, in the fact that you are actually the villain of the game and the more you play the game, the more complicit you are to it, which is an interesting concept and I do believe it is executed well enough. It's not for everyone and, thankfully, it didn't ruin any big franchise. Was Spec Ops a big franchise? Like, it is the only game of the franchise it belongs to, that I know, if there's more than one.
Game of Thrones was SHIT! And I never liked it, to be honest. Because it was too transparent. Like, this person did this and that is going to make that person do that, so this person will have to be this smart to make it out of that situation, but if they're not they're dead, except John Snow, because if he dies, then that leave a narrative gap, as there's nobody else working against the Night King and we know that he's going to lose, so even if he dies, he's coming back. I remember, because my brother was very into it, when he told me that John died and what's going to happen and I straight up told him there's no way he's not coming back. The story would be fucked, without him, at that point, because no one else worked for that part.
And then I read the final season leaks and the season itself was even better, from the opposite point of view. I have not had so much fun watching a shitshow unravel, since the last Bioware game launched.
I have to admit, when the final season of GoT aired, and I remembered how bad Bioware fucked up Mass Effect, I knew how bad D&D would fuck up GoT. My friends and I were watching it together. I had seen the spoiler threads on Reddit and it was hilarious watching them meltdown during the shit show. I laughed my ass off. "What are you laughing at," they said. "I know how this whole thing is going to pan out. It's gonna suck ass," I said. "How do you know?" "I read some stuff, but I won't say anything. You think it's bad now? Get the booze. It gets worse."
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Post by Iakus on Jul 23, 2021 3:20:38 GMT
Well, Cpec Opc is interesting, in the fact that you are actually the villain of the game and the more you play the game, the more complicit you are to it, which is an interesting concept and I do believe it is executed well enough. It's not for everyone and, thankfully, it didn't ruin any big franchise. Was Spec Ops a big franchise? Like, it is the only game of the franchise it belongs to, that I know, if there's more than one.
Game of Thrones was SHIT! And I never liked it, to be honest. Because it was too transparent. Like, this person did this and that is going to make that person do that, so this person will have to be this smart to make it out of that situation, but if they're not they're dead, except John Snow, because if he dies, then that leave a narrative gap, as there's nobody else working against the Night King and we know that he's going to lose, so even if he dies, he's coming back. I remember, because my brother was very into it, when he told me that John died and what's going to happen and I straight up told him there's no way he's not coming back. The story would be fucked, without him, at that point, because no one else worked for that part.
And then I read the final season leaks and the season itself was even better, from the opposite point of view. I have not had so much fun watching a shitshow unravel, since the last Bioware game launched.
I have to admit, when the final season of GoT aired, and I remembered how bad Bioware fucked up Mass Effect, I knew how bad D&D would fuck up GoT. My friends and I were watching it together. I had seen the spoiler threads on Reddit and it was hilarious watching them meltdown during the shit show. I laughed my ass off. "What are you laughing at," they said. "I know how this whole thing is going to pan out. It's gonna suck ass," I said. "How do you know?" "I read some stuff, but I won't say anything. You think it's bad now? Get the booze. It gets worse." It's funny, because when the spoilers got leaked for ME3, I dismissed them as either fabrications or stuff that was taken out of context. Because I foolishly believed that there was NO WAY they'd be so tone deaf as to screw over faithful fans so completely. I mean, if I could see how awful this would be, surely it would be obvious to professional writers! Sadly, they were all dead on target. So when rumors regarding stuff like Game of Thrones, The Last Jedi, The Last of Us 2 (not that I had any interest in that game, I hadn't even played the first one) now Kevin Smith's Masters of the Universe series come out, I take them way more seriously, 'cause it turns yeah these people really are that tone deaf.
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Post by Deleted on Jul 23, 2021 14:02:54 GMT
I have to admit, when the final season of GoT aired, and I remembered how bad Bioware fucked up Mass Effect, I knew how bad D&D would fuck up GoT. My friends and I were watching it together. I had seen the spoiler threads on Reddit and it was hilarious watching them meltdown during the shit show. I laughed my ass off. "What are you laughing at," they said. "I know how this whole thing is going to pan out. It's gonna suck ass," I said. "How do you know?" "I read some stuff, but I won't say anything. You think it's bad now? Get the booze. It gets worse." It's funny, because when the spoilers got leaked for ME3, I dismissed them as either fabrications or stuff that was taken out of context. Because I foolishly believed that there was NO WAY they'd be so tone deaf as to screw over faithful fans so completely. I mean, if I could see how awful this would be, surely it would be obvious to professional writers! Sadly, they were all dead on target. So when rumors regarding stuff like Game of Thrones, The Last Jedi, The Last of Us 2 (not that I had any interest in that game, I hadn't even played the first one) now Kevin Smith's Masters of the Universe series come out, I take them way more seriously, 'cause it turns yeah these people really are that tone deaf. The entertainment industry primary objective is to, uh, entertain. They forgot this in the past decade, the writers swallowed by their shallow understanding of current politics, their writing driven by the naive ideological zeitgeist. I was not entertained by TLJ. In fact, not even TFA. Didn't even watched Game of Thrones season finale. Not entertaining. I can say this for much of Hollywood's film industry in the past 10 years. Mass Effect 3 endings doesn't even enter in this category. It does the opposite of entertainment for me. It gives me feelings of disgust and abhor. In Spec Ops you expect this feelings, the authors create the atmosphere for it. In ME3 I doubt the writers wanted to guide my feelings in this direction, which for me screams bad writing.
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Post by gothpunkboy89 on Jul 23, 2021 18:54:27 GMT
The entertainment industry primary objective is to, uh, entertain. They forgot this in the past decade, the writers swallowed by their shallow understanding of current politics, their writing driven by the naive ideological zeitgeist.
I'm always fascinated by the people who use this sort of language. Mostly because they are the first to run to moderators complaining about the slightest real or imagined insult against them.
If it gives you a feeling of disgust then I'd say it did it's job well. War is not supposed to be enjoyable. The actual cost of stopping the Reapers would be massive. And after watching Sovereign short circuit for no explained reason in ME1 I knew the kind of endings I would be getting.
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Post by SirSourpuss on Jul 23, 2021 18:58:32 GMT
If it gives you a feeling of disgust then I'd say it did it's job well. No, not disgust. Contempt.
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Post by Deleted on Jul 23, 2021 19:30:53 GMT
The entertainment industry primary objective is to, uh, entertain. They forgot this in the past decade, the writers swallowed by their shallow understanding of current politics, their writing driven by the naive ideological zeitgeist.
I'm always fascinated by the people who use this sort of language. Mostly because they are the first to run to moderators complaining about the slightest real or imagined insult against them.
If it gives you a feeling of disgust then I'd say it did it's job well. War is not supposed to be enjoyable. The actual cost of stopping the Reapers would be massive. And after watching Sovereign short circuit for no explained reason in ME1 I knew the kind of endings I would be getting.
I don't follow. Are you implying I complained about you to the moderators? I would never do that. I disagree with most you write about in this forum, and I don't like the way you convey your ideas, but I would never, ever censor your right to express yourself freely, insults or not. If someone did this to you, it was not me.
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Post by Iakus on Jul 23, 2021 19:53:00 GMT
The entertainment industry primary objective is to, uh, entertain. They forgot this in the past decade, the writers swallowed by their shallow understanding of current politics, their writing driven by the naive ideological zeitgeist. I'm always fascinated by the people who use this sort of language. Mostly because they are the first to run to moderators complaining about the slightest real or imagined insult against them.
[/div][/quote] Funny thing how words actually mean things...
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Post by gothpunkboy89 on Jul 23, 2021 21:11:41 GMT
If it gives you a feeling of disgust then I'd say it did it's job well. No, not disgust. Contempt. Considering how much you argue to defend plot holes like Saren being able to repair a 50,000 year old neglected technology so fast. This is mildly amusing that you say that.
I don't follow. Are you implying I complained about you to the moderators? I would never do that. I disagree with most you write about in this forum, and I don't like the way you convey your ideas, but I would never, ever censor your right to express yourself freely, insults or not. If someone did this to you, it was not me. I'm saying people who seem to think every bit of entertainment produced has to be tailored to their specific enjoyment. And views anything that fails to match their personal opinion is a flaw of the creator rather then it simply not being created with their specific views in mind, tend to be very thin skinned individuals. They are willing to throw shade on anything and everything that fails to meet their standards but refuse to take any shade real or imagined in return. And while not a universal truth there is a strong correlation between personal ego size and frailty of that ego. The larger the ego the more frail it becomes.
The post I quoted from you
Is an eye rolling pretentious take on the entertainment industry simply because it doesn't cater to your specific whims. Particularly since any individual will only ever enjoy a small fraction of what the entertainment industry produces at any point in time. The creators are not flawed because it did not catch my attention I was just not the target audience.
Indeed. Like how I said the ME series is very grounded when it comes to social and political issues. At least as much as possible for a sci fi video game. Right before you posted a picture from the synthesis ending and talking about science. Which had nothing to do with what I was actually talking about.
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Post by Deleted on Jul 23, 2021 21:19:32 GMT
The entertainment industry primary objective is to, uh, entertain. They forgot this in the past decade, the writers swallowed by their shallow understanding of current politics, their writing driven by the naive ideological zeitgeist. This. I heard an audible thump of a mic being dropped. To be honest, I stopped reading at this point to quote this, because it hits that hard. Thank you for speaking my mind, clearly.
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Post by SirSourpuss on Jul 23, 2021 22:16:19 GMT
Considering how much you argue to defend plot holes like Saren being able to repair a 50,000 year old neglected technology so fast. This is mildly amusing that you say that. Who told you it was damaged?
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Post by Deleted on Jul 23, 2021 22:46:24 GMT
No, not disgust. Contempt. Considering how much you argue to defend plot holes like Saren being able to repair a 50,000 year old neglected technology so fast. This is mildly amusing that you say that.
I don't follow. Are you implying I complained about you to the moderators? I would never do that. I disagree with most you write about in this forum, and I don't like the way you convey your ideas, but I would never, ever censor your right to express yourself freely, insults or not. If someone did this to you, it was not me. I'm saying people who seem to think every bit of entertainment produced has to be tailored to their specific enjoyment. And views anything that fails to match their personal opinion is a flaw of the creator rather then it simply not being created with their specific views in mind, tend to be very thin skinned individuals. They are willing to throw shade on anything and everything that fails to meet their standards but refuse to take any shade real or imagined in return. And while not a universal truth there is a strong correlation between personal ego size and frailty of that ego. The larger the ego the more frail it becomes.
The post I quoted from you
Is an eye rolling pretentious take on the entertainment industry simply because it doesn't cater to your specific whims. Particularly since any individual will only ever enjoy a small fraction of what the entertainment industry produces at any point in time. The creators are not flawed because it did not catch my attention I was just not the target audience.
Indeed. Like how I said the ME series is very grounded when it comes to social and political issues. At least as much as possible for a sci fi video game. Right before you posted a picture from the synthesis ending and talking about science. Which had nothing to do with what I was actually talking about. You are right. I'm not the target audience for most AAA shows and games of 2010 onwards. That's why my entertainment is procured far away from that. Mass Effect was one of the last "mainstream" entertainment I had, and I loved it. If you still love it, more power to you. I don't want to steal your joy or appreciation of it. For me, the endings are "eye rolling pretentious", badly written and executed. One of the things I digged in the past three years was Critical Role, a live playing of D&D, with a great cast of voice actors. Great stuff!
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Post by Iakus on Jul 23, 2021 23:26:41 GMT
One of the things I digged in the past three years was Critical Role, a live playing of D&D, with a great cast of voice actors. Great stuff! I've tried to watch it, but it's just not as fun as actually playing it myself.
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Post by Deleted on Jul 23, 2021 23:50:56 GMT
One of the things I digged in the past three years was Critical Role, a live playing of D&D, with a great cast of voice actors. Great stuff! I've tried to watch it, but it's just not as fun as actually playing it myself. Tru that. I really wanted to play, but time constraints really detain me. So, I hear them while commuting. Them and Lex Fridman's podcast are my main forms of entertainment nowadays.
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Post by Deleted on Jul 24, 2021 0:56:38 GMT
Is an eye rolling pretentious take on the entertainment industry simply because it doesn't cater to your specific whims. Particularly since any individual will only ever enjoy a small fraction of what the entertainment industry produces at any point in time. The creators are not flawed because it did not catch my attention I was just not the target audience This is a whopper here. Your apologism for an industry at this point in time bereft of ingenuity or actual fresh creativity, endlessly recycling the same swill for that glorious cash, is the worst eye-rolling I have ever done on this forum. That you believe the crap you type is mind numbing.
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Post by shotgunjulia on Jul 24, 2021 3:30:26 GMT
It's funny, because when the spoilers got leaked for ME3, I dismissed them as either fabrications or stuff that was taken out of context. Because I foolishly believed that there was NO WAY they'd be so tone deaf as to screw over faithful fans so completely. I mean, if I could see how awful this would be, surely it would be obvious to professional writers! Sadly, they were all dead on target. So when rumors regarding stuff like Game of Thrones, The Last Jedi, The Last of Us 2 (not that I had any interest in that game, I hadn't even played the first one) now Kevin Smith's Masters of the Universe series come out, I take them way more seriously, 'cause it turns yeah these people really are that tone deaf. The entertainment industry primary objective is to, uh, entertain. They forgot this in the past decade, the writers swallowed by their shallow understanding of current politics, their writing driven by the naive ideological zeitgeist. I was not entertained by TLJ. In fact, not even TFA. Didn't even watched Game of Thrones season finale. Not entertaining. I can say this for much of Hollywood's film industry in the past 10 years. Mass Effect 3 endings doesn't even enter in this category. It does the opposite of entertainment for me. It gives me feelings of disgust and abhor. In Spec Ops you expect this feelings, the authors create the atmosphere for it. In ME3 I doubt the writers wanted to guide my feelings in this direction, which for me screams bad writing. It's really sad that in 2012 Call of Duty Black Ops II had a better "your choices matter" ending than ME3 did. I agree with you. Entertainment's job is to entertain. It always has been. That doesn't mean that stories they tell won't be thought provoking. That doesn't mean the stories they tell won't be full of political propaganda one way or another. It doesn't mean that a movie or TV show won't serve to push a particular agenda. Some shows will be to our liking, others will not. Critics will tell us which ones they like. We get to vote with our wallets. What I find disheartening these days is that very little new of quality is coming out of Hollywood. Instead rewriting the old to suit the "correct think" is what's getting noticed. I've been dragged to a lot of movies and have not been impressed in the past 10 years. Maybe I wasn't the target audience. Maybe I was and just saw through the bad writing. There are some that I have enjoyed a lot. Some writers are better than others. GRRM is IMO a very good technical writer. I find his style of writing very cumbersome; it's too descriptive for my tastes. GoT fell apart when it got past his outline. Martin got involved in too many side projects and I think burned out on his own story. He will never finish it. The last volumes will be left to fan fiction. So essentially make up your own ending is as valid as the shit storm we got. If you want a better ending go to Youtube and find The Drinker Fixes: A Game of Thrones. John Grisham on the other hand, I like. I don't need sequels, although some can be entertaining. Jim Butcher's Harry Dresden series I enjoyed. Simon Green's Nightside series was a guilty pleasure. But back to ME3. I don't know how they'll resolve the elephant in the room without a massive retcon all because they had to use a pick your favorite color (atrocity) ending and never mind the meaning. We weren't supposed to think much about that. Using the crucible would destroy the mass relays. We had a difficult choice to make and little time in which to make it.
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Post by Deleted on Jul 24, 2021 11:40:54 GMT
The entertainment industry primary objective is to, uh, entertain. They forgot this in the past decade, the writers swallowed by their shallow understanding of current politics, their writing driven by the naive ideological zeitgeist. I was not entertained by TLJ. In fact, not even TFA. Didn't even watched Game of Thrones season finale. Not entertaining. I can say this for much of Hollywood's film industry in the past 10 years. Mass Effect 3 endings doesn't even enter in this category. It does the opposite of entertainment for me. It gives me feelings of disgust and abhor. In Spec Ops you expect this feelings, the authors create the atmosphere for it. In ME3 I doubt the writers wanted to guide my feelings in this direction, which for me screams bad writing. It's really sad that in 2012 Call of Duty Black Ops II had a better "your choices matter" ending than ME3 did. I agree with you. Entertainment's job is to entertain. It always has been. That doesn't mean that stories they tell won't be thought provoking. That doesn't mean the stories they tell won't be full of political propaganda one way or another. It doesn't mean that a movie or TV show won't serve to push a particular agenda. Some shows will be to our liking, others will not. Critics will tell us which ones they like. We get to vote with our wallets. What I find disheartening these days is that very little new of quality is coming out of Hollywood. Instead rewriting the old to suit the "correct think" is what's getting noticed. I've been dragged to a lot of movies and have not been impressed in the past 10 years. Maybe I wasn't the target audience. Maybe I was and just saw through the bad writing. There are some that I have enjoyed a lot. Some writers are better than others. GRRM is IMO a very good technical writer. I find his style of writing very cumbersome; it's too descriptive for my tastes. GoT fell apart when it got past his outline. Martin got involved in too many side projects and I think burned out on his own story. He will never finish it. The last volumes will be left to fan fiction. So essentially make up your own ending is as valid as the shit storm we got. If you want a better ending go to Youtube and find The Drinker Fixes: A Game of Thrones. John Grisham on the other hand, I like. I don't need sequels, although some can be entertaining. Jim Butcher's Harry Dresden series I enjoyed. Simon Green's Nightside series was a guilty pleasure. But back to ME3. I don't know how they'll resolve the elephant in the room without a massive retcon all because they had to use a pick your favorite color (atrocity) ending and never mind the meaning. We weren't supposed to think much about that. Using the crucible would destroy the mass relays. We had a difficult choice to make and little time in which to make it. I still think bioware should've divided ME3 in two games. One to unite the galaxy, ending in a somber note (Thessia is a great place to finish the first part). The second part would give precious elbow room for the story to breath. Cerberus base, Priority Earth and the ending felt rushed and unfinished, because, well, they were. If you play Priority Earth Overhaul Mod you see how much the mission gets better with the restored content. The worst part for me is that I don't see any good way to "fix" the endings. The Crucible was a bad idea since the beginning, it's entire plot divorced from the player agency, happening in a too distant background. I don't feel connected to its construction, despite the codex telling me otherwise.
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Post by gothpunkboy89 on Jul 24, 2021 11:53:32 GMT
You are right. I'm not the target audience for most AAA shows and games of 2010 onwards. That's why my entertainment is procured far away from that. Mass Effect was one of the last "mainstream" entertainment I had, and I loved it. If you still love it, more power to you. I don't want to steal your joy or appreciation of it. For me, the endings are "eye rolling pretentious", badly written and executed. One of the things I digged in the past three years was Critical Role, a live playing of D&D, with a great cast of voice actors. Great stuff!
Games have not changed since 2010 and onward. Not unless your complaint is based around gay people now existing in video games because that is about the only real change that happened. Video games have never been innovated in any way that isn't technological. The same old stories and ideas being recycled since before TV's existed simply remade in a new medium.
In what way is the ending pretentious? It support's its cause fairly well though the series with background information. I know people like to complain that the whole organic vs synthetics wasn't front and center for the entire trilogy. Which is mostly ME2's fault for veering off path as ME1 actually addresses this as does ME3. And since the Reapers act like a giant soft reset button for the specific intention of preventing that O vs S conflict it makes no sense for them to act only after it has begun. Much in the same way if you wanted to use a time machine to prevent WW2 you wouldn't wait until after the nazi invasion of Poland. You would go back to when they were teenagers and have them suffer unfortunate accidents to prevent the formation of the nazi party in the first place.
It is no more pretentious then ME1 were Shepard is handed a magical program that allows them to take control of the Citadel from an ancient hyper advanced AI and block them from accessing it. Which right after you put a hole though husk Saren the same Reaper that was previously tanking the entire fleet attacking it like it was no more then some light wind suddenly and for no reason suffers a massive power surge and shuts down allowing it to be blown up.
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Post by gothpunkboy89 on Jul 24, 2021 12:36:00 GMT
Considering how much you argue to defend plot holes like Saren being able to repair a 50,000 year old neglected technology so fast. This is mildly amusing that you say that. Who told you it was damaged? So if I left my laptop out for 50,000 years it would boot right up with no problem after getting a power source right? There is no possible way that the elements or corrosion or degrading of parts could set in right? I mean those Prothean cities on Feros looked as brand new as the day they were build right? Is an eye rolling pretentious take on the entertainment industry simply because it doesn't cater to your specific whims. Particularly since any individual will only ever enjoy a small fraction of what the entertainment industry produces at any point in time. The creators are not flawed because it did not catch my attention I was just not the target audience This is a whopper here. Your apologism for an industry at this point in time bereft of ingenuity or actual fresh creativity, endlessly recycling the same swill for that glorious cash, is the worst eye-rolling I have ever done on this forum. That you believe the crap you type is mind numbing. The entertainment industry has never had ingenuity or fresh creativity. The same stories the same ideas have been told countless times with only slight variations as time passed. Star Wars A New Hope is literally a by the numbers hero's journey that has been told a million times in a million different ways. Putting it in space doesn't make it original or creative. It even has space magic. You could swap out Vader for an old man in a robe with a staff, change the settings to 1200's and it would still fit the scene were he chokes out that guy for talking back to him.
If you know your history then you know how stories repeat. How the same basic lay out that entertained us 2,000 years ago still entertain us today. Hell archaeologist have found dick jokes in ancient ruins. Meaning we have been making the same dick jokes for thousands of years and people still find it entertaining.
You also ignore the fact the entertainment industry produces what people want to see. That is who they make money. As soon as the MCU showed promise of making money they tripled down on it and then Disney came in and bought out the MCU and have done all in their power to capitalize on the popularity of it. Nothing about the MCU was original or new and yet nearly ever film was a box office smash success. Even their Disney+ series have done really well. So even while I have personally lost interest in the MCU years ago I can not deny that it has been a massive financial and commercial success.
And anyone who doesn't like the MCU and claims the only reason it is popular is because everyone that thinks differently then they do are mindless brainless sheep who will swallow what ever the entertainment industry will throw out has their head firmly up their own colon.
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Post by SirSourpuss on Jul 24, 2021 12:54:04 GMT
So if I left my laptop out for 50,000 years it would boot right up with no problem after getting a power source right? There is no possible way that the elements or corrosion or degrading of parts could set in right? I mean those Prothean cities on Feros looked as brand new as the day they were build right? I can't tell you about your laptop and what you do with it. Who told you the Conduit is broken?
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Post by Deleted on Jul 24, 2021 13:24:09 GMT
The Catalyst was, and is, Shepard. Use the dictionary if necessary, this is obvious.
Starbrat is nothing more than the end of a long IF/THEN/ELSE coding, with a 3d manifestation. Why they bungled this, is so stupid. Shepard is the difference maker, Shepard is the catalyst.
So, the smart retcon doesn't exist. They did all of the worst damage in-game. So, brute force retcon will be required, and is probably too much for their blessed "artistic integrity" to handle. As Asia once sang, Only Time Will Tell.
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Post by Deleted on Jul 24, 2021 14:16:56 GMT
You are right. I'm not the target audience for most AAA shows and games of 2010 onwards. That's why my entertainment is procured far away from that. Mass Effect was one of the last "mainstream" entertainment I had, and I loved it. If you still love it, more power to you. I don't want to steal your joy or appreciation of it. For me, the endings are "eye rolling pretentious", badly written and executed. One of the things I digged in the past three years was Critical Role, a live playing of D&D, with a great cast of voice actors. Great stuff!
Games have not changed since 2010 and onward. Not unless your complaint is based around gay people now existing in video games because that is about the only real change that happened. Video games have never been innovated in any way that isn't technological. The same old stories and ideas being recycled since before TV's existed simply remade in a new medium.
In what way is the ending pretentious? It support's its cause fairly well though the series with background information. I know people like to complain that the whole organic vs synthetics wasn't front and center for the entire trilogy. Which is mostly ME2's fault for veering off path as ME1 actually addresses this as does ME3. And since the Reapers act like a giant soft reset button for the specific intention of preventing that O vs S conflict it makes no sense for them to act only after it has begun. Much in the same way if you wanted to use a time machine to prevent WW2 you wouldn't wait until after the nazi invasion of Poland. You would go back to when they were teenagers and have them suffer unfortunate accidents to prevent the formation of the nazi party in the first place.
It is no more pretentious then ME1 were Shepard is handed a magical program that allows them to take control of the Citadel from an ancient hyper advanced AI and block them from accessing it. Which right after you put a hole though husk Saren the same Reaper that was previously tanking the entire fleet attacking it like it was no more then some light wind suddenly and for no reason suffers a massive power surge and shuts down allowing it to be blown up.
Mass Effect 1 and 2 are riddled with plot holes and inconsistencies, not better or worse than ME3. ME1 can be "forgiven" because it's the first installment, ME2 because its a big side mission. What's ME3 excuse? The way it was advertised at the time, the crescendo it got from the first two installments, the expectations got too high for its own good. The story too big to be dealt with in any form whatsoever, with the time and hardware constraints. Anything I'm saying here was already said in the first year after ME3 launched. I daresay it got whole essays and dissertations on the matter, more than any game that existed before. Another thing you are on the right trail as well. I suspect the endings of Mass Effect 3 exacerbated pre-existing illness in a subset of people who were invested players. I know I was depressed when I played it, and the endings did make me feel worse. Not the game itself, mind you. The endings specifically, the jarring narrative shift, and lack of closure. An unhealthy obsession appeared, and affected negatively my everyday life. I don't know if my ego is big, but it was certainly "frail" at the time. All this means that the endings are in fact, good and I can't perceive then as it is because of my diseased mind? In my opinion, no, they are still hot garbage. I just couldn't get over them at the time. Nowadays, I'm in a far better place physically and mentally, and I can just say "meh" to ME3 as a whole and "bleh" to the endings. There are far better war stories, and the atrocious endings sour the entire experience since ME1 (Chtulu turned misguided AI in the last minute). I'd like to discuss this things lengthy, but It seems you like "being right on the internet" more than human connection. It's a bore. It reminds me of Facebook or Twitter and the reasons I got out from those cesspools. It's a silly game, one that I not wish to partake.
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Post by Noxluxe on Jul 24, 2021 16:35:35 GMT
Nope. Entropy is a bitch. All things, including the entire universe, will cease to exist at some point. Granted, the heat death of the universe is unfathomably far in the future, but it will happen. The only thing that matters is how you spend your time. The choices you make. I refuse to become any of the things the destroy, control, or synthesis would make me. With the bonus that if I shoot the Starbrat, refusing to play his shitty little game, I don't commit genocide, the Starbrat does. And, I have already enabled the next cycle to finally kick his arse via the Beacons. So, I refuse, I don't become some kind of monster, and the next cycle wins. No, you just chose to become an accomplice/accessory to the Catalyst's genocide of this cycle. Funny, when I said that exact thing about Solas logically being partially responsible for his species' extinction if he knew he could do something about it but didn't, even at a terrible cost, and gave historical examples of people forced to make similar lose-lose decisions just to point out that calling him insane for it was excessive, you condemned my whole argument for 'advocating genocide' and me for 'celebrating war criminals', and denied that such desperate choices were actually a thing. The comparisons to GoT's ending seem unwarranted, certainly in terms of writing catastrophes. That's like saying that your fishing boat leaking is a disaster on the scale of The Titanic. And I don't see that the choices you make throughout the games are rendered particularly meaningless compared to other RPGs unless you choose the Refuse ending - which seems to me to be the point of that ending. And since anyone who has read a single page of science fiction or has any imagination themselves whatsoever can come up with three or four different ways each of the choices would conceivably turn out to be the worst thing to ever have happened to the galaxy, I like that Refuse is included and can definitely imagine Shepard feeling forced to lay down his gun and hope that the next cycle finds some better solution. My own last Shep was sorely tempted to do that himself, and would have if it wasn't for all the friends fighting and counting on him to do something to fix the situation. Which logically shouldn't outweigh his fear of the consequences of playing the Catalyst's game, but in this case did. And also because he didn't give a damn about 'machine life'. I kinda sorta have the next playthrough earmarked for Control, but if there is one after that I might try to play it out so tragically that the Shepard who meets the Catalyst doesn't even have that pressure or hope anymore, and feels sympathetic enough towards Synthetics for that to factor in as well, and decides to fold and cut his losses at the current cycle.
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